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“Ah… Good Old Classic Rock!”

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To many of us, classic rock is Proper Rock. Sometimes old, sometimes new, but always great. It’s about the vinyl records, the gigs, the instruments, the guitars, the venues, the festivals and, of course, it’s about the t-shirts as well. DJTees is a celebration of all things classic rock, past, present and future. It’s our life blood. That’s why we have a weekly top 10 vinyl playlist and Johnny’s huge History Of Classic Rock Project blog alongside all our original t-shirts. We are no mere off-the-shelf, mass-produced merchandise purveyor and frankly, we don’t even mind if you don’t buy a t-shirt, because when all is said done, t-shirts or no t-shirts, it’s all about the music. It’s the music that matters. It’s the music that will survive. Rock on!

 

 

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Johnny’s Weekly Vinyl Playlist

  1. Fleetwood Mac – Mr Wonderful
  2. Frank Zappa – Hot Rats
  3. Rainbow – Long Live Rock’n’ Roll
  4. Mountain – Live
  5. Joe Bonamassa – Different Shades Of Blue
  6. Blackberry Smoke – Holding All The Roses
  7. Bonnie Raitt – Give it Up
  8. Little Feat – Feats Don’t Fail Me Now
  9. Rory Gallagher – Irish Tour ’74
  10. Allman Brothers – Idlewild Southt
If you can’t see the mp3 player you need to install a Flash Player

Win Free Music!

We know that these days,’free music’ usually involves a soulless download, something called peer-to-peer, or worse, iTunes or Amazon

Yeah well, get outta here – we don’t do that. We’re classic rock. We’re old school. Here at DJTees’free music’ means I bought it and I’m giving it away to you for nothing. Why? Because DJTees is all about the music. Yeah, we design and sell our own t-shirts, but it’s really not about t-shirts at all, it’s definitely all about the music. It’s my passion, I’ve got loads of it and I’m happy to share it around.

So every couple of weeks there’ll be one free vinyl record, one free CD and one free DVD for you to win. All you have to do is fill in the details here and say which items you’d like. It doesn’t matter where you are in the world, we’ll send it out. 3 names will be picked at random, one for each item. We’ll let you know if you were one of the lucky ones.

Good luck and rock on,

Cheers,
Johnny


Free Music

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This Weeks Freebies

becklp
Vinyl: Jeff Beck – Blow by Blow


vaicd
CD : Steve Vai – The Infinite Steve Vai Anthology


malmdvd
DVD: Yngwie Malmsteen – Concerto Suite For Group and Orchestra


Last Weeks Winners

Paul Murray
Woodley, Stockport
won the Camel Vinyl


 Geoff McLaughlin
Cedarburg, Wisconsin
won the Queens of the Stone Age CD


David Taylor
Gomersal, Yorkshire
won the Pink Floyd DVD


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History of Track Records

The public school rebel, the streetwise East End scenester and the guitar hero: the three men who put together Track Records were a diverse and complicated trio. But their label was to become perhaps the great indie of the 1960s, a showcase for a stable of great acts including Jimi Hendrix. The three men were Kit Lambert, Chris Stamp and, of course, Pete Townshend.

Kit Lambert, born into a rich, artistic family, served in the Army after his time at Oxford. He had a wild streak and was already no stranger to a hare-brained scheme: a filming trip to Brazil had ended in disaster in 1961 when a close friend of Lambert’s was killed by cannibals.

When he left the service, he worked as an assistant director on The Guns Of Navarone and From Russia With Love. He became friendly with another film-maker, a slick, tough Cockney called Chris Stamp – whose older brother, Terence was already one of Britain’s brightest young actors – and the two began sharing a flat.

Kit convinced Chris that they should make a film about an up-and-coming rock band and the pair went to the Railway Tavern in Harrow Weald where a young group called The High Numbers were astonishing audiences with their blend of squalling, anarchic feedback, vicious drumming and heart-pounding energy. They were, of course, the band that would become The Who. Kit and Chris moved fast, buying the band out of their current management contract, changing their name and setting them on the road to superstardom.

The blend of Kit’s flair for publicity and sure grasp of what would sell to the new youth culture, coupled with Chris’s toughness and gritty business intuition were the perfect management team for the band. The film was soon forgotten as they began managing the band full-time. Kit encouraged Pete to explore the darker, angrier side of his song-writing, and guessed correctly that the pumping, sexually charged energy of the band could be a huge hit with young men. They dressed the band in the Mod fashion, took control of all the lighting at gigs – rare at the time for a band – and carefully shaped their image. He urged Pete on to greater ambitions in his song-writing, encouraging the genius and invention that would see them releasing such brilliantly original works as The Who Sell Out by 1967, and Tommy by the end of the decade.

The first Who album, My Generation, was a hit, and the management duo’s next step was to set up their own label. First, they had to fight a legal battle with Brunswick records to get them to release The Who. In the meantime, they released the next LP, A Quick One While He’s Away, on Reaction Records, distributed by Polydor. They released the single ‘Substitute’ on this several times, each time with a different flip-side, in order to muddy the legal waters.

(Incidentally, Reaction Records was a small but mighty Sixties indie label in its own right: a grand total of three LPs were released on it, but what a trio they were: A Quick One, and then two terrific Cream records – Fresh Cream and Disraeli Gears.)

Eventually, Kit and Chris managed to win their legal battle and, in 1967, Track Records was born. They were keen to have total artistic control of The Who’s output, of course, but there was another impetus for setting up on their own: a young left-handed guitar player from Seattle, Washington. Chas Chandler was already managing and producing him, but Kit and Chris knew that they had to get involved with Jimi Hendrix one way or the other.

The first release on the new Track Records label was the 1967 single ‘Purple Haze’ – not a bad way to open your account! If you have a white label copy of it in mint condition you can expect to pocket around £15 for it today. The label’s first LP was Are You Experienced? An original mono copy of that will set you back around £70.

Track Records signed Arthur Brown, putting out the incomparable ‘Fire’ single in 1968 and The Crazy World Of Arthur Brown LP in that year. They also put out records by the comic Murray Brown – Keith Moon’s favourite comedian – and the now very rare first single by Fairport Convention – If I Had A Ribbon Bow b/w If(stomp). Marc Bolan’s band, John’s Children released four singles in 1967. Thunderclap Newman, Marsha Hunt and Dutch rockers, Golden Earring were also on their roster, but the label, being able to be choosy with The Who and Jimi on their books, were not bound by commercial pressure.

Roger Daltrey said: “It was a period when the record industry was growing so fast and the business couldn’t keep up. Bands were leading the way; it was driven by the art and not the business. Now it’s driven by the business.”

No label epitomised that more than Track Records from 1967-1970. On the label’s first-ever press release, Kit declared:

“The label does not intend to sign artists indiscriminately. Our policy is to sign people who we consider to be unstoppable. Only artistes of the highest quality and Top Ten potential.”

For a while, they most certainly achieved that, though there are also some interesting, rare and obscure releases too by such long-forgotten bands as Cherry Smash, Tony Simon, The Precision, The Sandpebbles and Eire Apparent who even had Hendrix playing on a track. There was even a 1967 release by The Parliaments featuring a young George Clinton – that’s a £30 collectible now.

But things fell apart at the end of the Sixties. Hendrix’s death left Track with a massive commercial hole where all their money used to be. Kit fell out, badly, with Pete over Tommy when he tried to sell it without the band’s say-so. Now heavily into drugs, the management duo was over-spending and their judgment was failing them. They were fired by the band in the early Seventies, and by 1974, Golden Earring were Track Records only act of note. Kit and Chris went to New York to produce soul act Labelle. They released a couple of tracks by The Heartbreakers in the mid-Seventies but the label folded in 1978.

Kit’s drug habit spiralled throughout the decade and he died after falling down the stairs at his mother’s house in 1981, a grim and unfitting end for a great rock personality. Chris also battled drugs but now works as an addiction counsellor. His brother is big in the gluten-free market with a range of flour and foodstuffs, The Stamp collection. In 1998, Ian Grant – the former manager of The Cult, The Stranglers, and Big Country – revived the Track Records label with Chris Lambert’s blessing. In 2000, Ian said:

“I cannot sign acts that are ‘unstoppable’ or guarantee Top Ten with every act. Such an audacious statement! But then again, if you had discovered Hendrix and The Who, wouldn’t you have felt as bullish and confident as Kit did?”

A classic record label that was created, shaped and driven by its owners, Track Records was ultimately to be a shooting star, and although it crashed and burned, it left some of rock n roll’s most revered music behind as its legacy.

View Johnny’s Rock Blogs & Archive

Purple Records

22nd May 2015

Dandelion Records

21st May 2015

Pink Floyd Soundtracks

20th May 2015

History of Track Records

19th May 2015

Glastonbury Festival 1971

19th May 2015

History of Blue Horizon label

18th May 2015

The Strange Case of Jeff Baxter

17th May 2015

Knebworth Festival 1985

16th May 2015

The History of Dawn Records

15th May 2015

The Denver Pop Festival 1969

13th May 2015

Capricorn Records

12th May 2015

Monsters of Rock 1980

12th May 2015

Knebworth Festival 1976

12th May 2015

Dawn and John – The Originators

12th May 2015

History of Immediate Records

12th May 2015

Swan Song Records

11th May 2015

WATKINS GLEN 1973

28th April 2015

CALIFORNIA JAM II 1978

21st April 2015

Atlanta Pop Festival 1970

5th April 2015

The Who Live At Charlton 1974

1st April 2015

Bath Festival Of Blues And Progressive Music 1970

1st April 2015

Powder Ridge Festival 1970

1st April 2015

Atlanta Pop Festival 1969

1st April 2015

Lost Great Records: Badger: One Live Badger 1973

1st April 2015

Instruments Of Rock: The Hammond Organ

1st April 2015

Monsters Of Rock: Donington 1980

1st April 2015

The Fantasy Fair And Magic Mountain Festival June 10 & June 11 1967

1st April 2015

Isle Of Wight Festival 1970

1st April 2015

Instruments of rock – the Hofner Violin Bass

1st April 2015

Atlantic City Pop Festival 1-3rd August 1969

1st April 2015

What If Joe Walsh Had Become President in 1980? – A bit of history and a bit of fantasy.

1st April 2015

Newport Jazz Festival July 1969

1st April 2015

Legendary Rock Venues: The Hammersmith Odeon

1st April 2015

A Short History of Frank Zappa

1st April 2015

Obscure Guitar Hero: Del Bromham of Stray

1st April 2015

Defunct record labels: Swansong Swan – Song Records (1974 – 1983)

1st April 2015

A short history of Lowell George

1st April 2015

Moments That Changed Rock n Roll: Jimi At Monterey

1st April 2015

Great rock venues – The Café Wha? New York.

1st April 2015

A Lost Great Album. Tim Blake – Blake’s New Jerusalem

1st April 2015

A short history of Stomu Yamashta

1st April 2015

MAR-Y-SOL Vega Baja, Puerto Rico 1972

14th March 2015

The Seattle Pop Festival 1969

14th March 2015

RANDALL’S ISLAND FESTIVAL 1970

14th March 2015

THE WHO LIVE AT CHARLTON 1974

14th March 2015

WEELEY FESTIVAL 1971

14th March 2015

BICKERSHAW FESTIVAL 1972

14th March 2015

Bath Festival Of Blues And Progressive Music 1970

14th March 2015

Defunct Record Labels – Dawn Records (1970-1975)

14th March 2015

Defunct Record Labels – PURPLE RECORDS

14th March 2015

POWDER RIDGE FESTIVAL 1970

14th March 2015

Instruments of Rock – The Gibson Firebird

14th March 2015

ATLANTA POP FESTIVAL 1969

14th March 2015

Forgotten But Fantastic – Badger

14th March 2015

Forgotten But Fantastic: Fruupp

14th March 2015

Knebworth Festival 1985

14th March 2015

Instruments of Rock – The Hammond Organ

14th March 2015

Capricorn Records

14th March 2015

The Human Be In: Golden Gate Park, San Francisco 1967

14th March 2015

Donington Monsters Of Rock 1980

14th March 2015

The Fantasy Fair And Magic Mountain Festival 1967

14th March 2015
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Buying from DJTees

It’s really easy to buy from DJTees. No account needed. Just look through the Categories – Classic Rock, Blues Soul Folk & Blues, Rock n Roll Lifestyle, Vinyl Culture, Icons and Psychedelic.
Click on your fave, pick a colour and size from the drop-downs and add it to your basket. You can now go straight to the checkout, or have another browse in the DJTees ‘Tee Shop’

At the Checkout you will obviously need to fill in your address, but we don’t ask for any credit card details.
After the Checkout you’ll be whizzed to PayPal.
And you don’t even need a PayPal account. They can process credit cards securely without the need to register with them. Simple!

 

What if it’s the wrong size?

If you want to make a simple size exchange then just return your item to the address below, along with a copy of the invoice included, stating clearly the exchange you would like to make. As soon as we receive it we’ll process and dispatch the preferred size/colour t-shirt within a few days.

 

It’s not quite what you want?

If for some reason you are not fully satisfied with your order and wish to return it for an exchange or refund then please email us with your return request as soon as possible to cs@djtees.com we will process the request quickly and efficiently as we can.
We’re happy to refund you in full if you don’t like a t-shirt, however, you must return it to us in perfect condition. If you send it back to us with deodorant stains on, badly crumpled, stinking of smoke, sweat, beer or curry, then obviously, we can’t refund you!

Please remember, if you are returning an item you are responsible for it until it reaches us. We therefore recommend that you use a tracked delivery service as we cannot be responsible for any returned parcels that go missing prior to reaching us.

There are no returns on anything marked as a Sale item.

 

All returns should be sent to;

DJTEES
Suite A2, Abbeygate One
8 Whitewell Road
Colchester
Essex
CO2 7DF
UK


Phone Orders

If you want to make your order by phone, call this number between 9am – 5pm UK time and we’ll be happy to take your order.

UK – 01206 617175

Outside UK – 44 1206 617175


Terms & Conditions:

By buying DJTees t-shirts you are agreeing to our important Terms & Conditions which are:
1. Know you are cool
2. Don’t let bad people bring you down
3. Have a good time, all the time
4. Rock on
!


Free Shipping and Deliveries

Like some of the best rock n roll, we just wanted to make this very simple.
Shipping is Free!

Wherever you live on Earth, we’ll send your order with no shipping cost to you, no matter how many t-shirts you order.

So just to be clear.

We Do Free Shipping – Worldwide!


Delivery

All t-shirts are hand-printed to order and shipped within 48 hours from the UK to your earthly co-ordinates.

UK

All orders are sent by Royal Mail 1st Class and typically take 1-4 days to arrive, although can occasionally take up to 7 days. Please allow 10 days after you have placed your order before contacting us for non arrival. Royal Mail require us to wait this long before declaring the item lost.

Europe

Delivery expected within 3-5 days of dispatch, however this can take up to 10 days.

USA & ROW

Delivery expected within 5-7 days of dispatch, however, it has be known to take up to 18 days on occassion


T-shirt Sizes

Small – 34″ – 36″ (86cm-92cm)
Medium – 38″ – 40″ (96cm-102cm)
Large – 42″ – 44″ (106cm-112cm)
XLarge – 44″ – 48″ (112cm-122cm)
XXLarge – 50″ – 52″ (127cm-132cm)
3XL – 54″ – 56″ (137cm-142cm)
4XL – 58″ – 60″ (147cm-152cm)
5XL – 62″ – 64″ (157cm-162cm)


Classic Fit Premium Ringspun T-shirt

Fabric: 100% cotton (Sport Grey 90% Cotton 10% Polyester)

Weight: 185 gsm

3X 4X 5X Sizes are only available in White, Black and Navy and are an Ultra Cotton Jersey Knit T-shirt (205 gsm)

This classic fit t-shirt is ring spun. It has a softer feel, as well as long lasting quality. The fabric has been preshrunk to ensure reduced shrinkage when washing. Superior double needle sleeves and hem, seamless twin needle collar and a taped neck for neatness and strength.

All products are hand printed to order with 100% Exclusive Artwork
Always Classic and Original!

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DJTees was established in 2002 by combining the DNA-deep knowledge and belief in Classic Rock of John Nicholson (known to customers and fans alike as ‘The Boss’) with his partner Dawn Rossiter’s talent as an artist & designer.
Together they revolutionised the world of music t-shirts. Working alongside some of rock n roll’s finest and most legendary photographers such as Jorgen Angel, Jan Persson, Keith Morris, Tony Mottram, Steve Goudie and many more, driven by a genuine excitement and passion for the music and culture of classic rock, they created a body of work admired the world over for more than a decade. Worn in movies, TV shows and by rock n roll musicians such as Slash, but more importantly by real Classic Rock fans, their look was distinctive and unique.
In 2012, they sold their company to pursue writing and art. John is now a successful novelist and Dawn a painter with a growing reputation, but now, they’re back on board as advisors and designers, tasked with reshaping DJTees and bringing their core rock n roll spirit and energy back to the party.
DJTees owner Paul Hobbs says ‘We asked John and Dawn on board to help us develop DJTees because they are quite simply a unique partnership. Their talent, passion and encyclopaedic knowledge of classic rock is second-to-none. I mean, have you seen how many vinyl records that dude has!? Dawn’s designs and John’s humour and their love of classic rock music will bring fun, energy and originality to DJTees.’John says this about their return.
“The t-shirt world has changed a lot since we started DJTees in 2002, but great rock n roll is still great rock n roll. For us, this business was always about the art. We’re not for the fashion-obsessed, for whom music is a mere lifestyle accessory. We’re not about the short term or the cynical, we’re not about mass-produced merchandise, our thing always was and still is all about expressing enduring love of the music, love of the musicians, and love of the culture of Classic Rock. That’s our roots, man. Classic Rock isn’t called classic for nothing and it sure as hell isn’t called rock for no reason, either.
We stand for Classic Rock and that means we stand against the fake, the fashionable and the faddish. I have a beard not because I’m some sort of self-conscious hipster, but because I’m scruffy and lazy. That’s the vibe we bring to this gig and, in truth, we have no choice. This isn’t just what we like, it’s who we are.”
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Jorgen Angel

A true legend of rock photography. There is simply no over-stating his importance in the iconography of rock ‘n’ roll. He photographed the very first ever Led Zeppelin gig and subsequently worked with them on many other occasions. Jimmy Page chose the legendary ‘swoosh’ photo that Jorgen took of him as one of his favourite photographs ever! As such, it was included in Jimmy’s own book and as a result, Jimmy flew him to London and he was granted a private audience with the great man.

But Zeppelin aside, Jorgen was at the cutting edge of the classic rock era. He photographed Deep Purple Mk3 after their first ever gig together. He shot one of Jimi Hendrix’s last ever shows. He toured with Uriah Heep and even went to stay with The Who’s bass man, John Entwistle.

His photographs have an exciting, naturalistic, organic quality to them. They feel alive and expressive and very human. They capture the spirit of those early days of rock so well. This was before the bands were shielded from the public, back when it was much more about the music than the money. They were more simple, more innocent times. In fact, in the early 80s, when rock music was becoming a massive corporate business and taking photographs of musicians became harder work and a lot more hassle, Jorgen simply quit.

Considering his status in the Premier League of rock photographers, you just couldn’t meet a more humble, easy-going chap and his photos are omnipresent in all the rock magazines. He has had major exhibitions in Denmark and beyond. His images are simply an important part of the warp and weft of rock n’ roll history.

For us to have his archive of pictures to work into t-shirt designs for over a decade has always been a huge privilege, but to actually call him a friend has been a bigger one.

T-shirt designs based on Photographs by Jorgen Angel

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Jan Persson

Jan is an important elder statesman of music photography. Born 1943 in Copenhagen, he has been working as a photographer for over 50 years and his work has been used for more than 1000 album covers and has appeared in many more magazines, newspapers and on television all over the world for the last half a century.
He is a really important figure in the documenting of both rock and jazz in the last 50 years. He shot the Beatles, Dylan, Janis, Hendrix, Frank Zappa, the Stones, Leonard Cohen, the Grateful Dead, Jefferson Airplane and so many, many more. But it doesn’t stop there.
His jazz work is so legendary that the University of Aalborg acquired the whole collection for part of its Centre For Danish Jazz History and you can see his photos on album covers of everyone from Count Basie to John Coltrane, Miles Davis and Thelonious Monk. This is a special guy with a special talent.
His work often captures the iconic nature of many of the musicians, with an artistic, rather than pure documentary quality. The shots he takes are full of art and thought.
You’ll know his work, because loads of classic rock images come courtesy of Jan’s lens, whether it’s the shot of Keith Richards in sunglasses, Dylan on stage or Frank Zappa reclining in an armchair having a smoke, you’ll know them, but chances are, you won’t have known who took them until now.
Still working to this day and with exhibitions in LA, New York and his native Copenhagen under his belt, Jan is photographic royalty and when he presented me with a copy of his fantastic book of rock photographs, it was a huge honour. The fact that we have his shots to work on for t-shirt designs is every bit as fantastic.

Some T-shirt designs based on Photographs by Jan Persson

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Tony Mottram

Tone is legendary. I mean, he really is. Sit him down and he’ll start a story with the sentence “I was once on tour in South America with Iron Maiden…” and off he’ll go on a sex and drugs and rock ‘n’ roll anecdote that will make your hair curl. Which is exactly as it should be. He’s been there, seen it and done and now through DJTees, he’s got the t-shirt.

Very much from the school of to-shoot-it-you’ve-got-to-live-it, Tony started his career in the late 70s shooting punk and then heavy metal bands. His work appeared in every major music publication, but perhaps he’ll be most fondly remembered for his work in in Sounds, RAW and Metal Hammer back when he was forever on the road with one bunch of long-haired reprobates or another.

From his studio in the 1980s emerged wonderfully sensitive and yet tough portrait photos of all the rock stars of the day, as well as a massive portfolio of live shots too. Who’s he photographed? Everyone. Everyone from Johnny Cash to Nirvana, to Ozzy, REM, Buddy Guy, Deep Purple, Pat Travers, Iron Maiden, AC/DC, Metallica, Aerosmith, Manic Street Preachers, Prince, Lemmy, Bon Jovi, Bruce Springsteen, Stevie Ray Vaughan and the Black Crowes. He even shot Guns ‘n’ Roses first UK Show at the Marquee in 1987. He counted many rockers as friends, especially Ronnie James Dio, who he worked with on the Holy Diver video back in 1983.

These days, when he’s not taking photos, he’s playing bass in cracking R & B band 58 Deluxe. Still full of huge passion and enthusiasm for the music and the people who make it, Tony remains a proper rock and roll man.

Some T-shirt designs based on Photographs by Tony Mottram

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Steve Goudie

A hard-working, rock ‘n’ roll man to his bones, when it comes to taking photographs of rock and pop stars, this dude is as good as it gets today.

Steve has been at the top of his profession for the better part of 20 years. A guitarist with a proper rock ‘n’ roll history behind him, he’s one of the go-to guys for live photography, which is why major record labels, bands and publications queue at his door to work with him.

He has an utterly staggering CV of people that he’s photographed. Check these out – and this is just a few of them!

ZZ Top, Whitesnake, Thin Lizzy and Motley Crue, The Who, Joe Satriani, Peter Frampton, Bruce Springsteen, Kiss, Iron Maiden, U2, The Police, Taylor Swift, Paul McCartney, Bon Jovi, Oasis, BB King, Rihanna, The Foo Fighters, Elton John, Lady Gaga, Crosby, Stills, Nash and Young, Katy Perry, Queen, Usher, Slash and the Eagles.

Basically, if they’ve played live in the last 20 years, Steve will almost certainly have photographed them and what’s more, after so long in the business, because he’s super professional, super good and a stand-up bloke, he can call of lot of these rock stars friends.

Sometimes, when Steve’s photos drop into my inbox I genuinely find them staggering. They’re not merely naturalistic representations, rather, they have an almost hyper-realism to them, which perfectly expresses the kinetic power of an artist live on stage. His ability to balance space and darkness with light and colour, is second to none. His photos simply breathe.

An expert in his field and a purveyor of his own unique kind of visual poetry, it’s a pleasure and an honour to work with someone who delivers the goods time and time again.

Some T-shirt designs based on Photographs by Steve Goudie

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Blues is a healer

Rock ‘n’ roll ain’t noise pollution

Feel like letting my freak flag fly

You’ve gotta get in to get out

Meet the new boss, same as the old boss

You don’t need a weather man to know which way the wind blows

All the years combine, they melt into a dream

Dark star crashes, pouring its light into ashes

Inside everyone is a heavy metal kid

They call me the breeze I keep blowing down the road

Life gets mighty precious when there’s less of it to waste